Hafidh Al-Droubi
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Hafidh Al Droubi (1914-1991) was an Iraqi painter and draughtsman, noted for his
Cubist Cubism is an early-20th-century avant-garde art movement that revolutionized European painting and sculpture, and inspired related movements in music, literature and architecture. In Cubist artwork, objects are analyzed, broken up and reassemble ...
paintings and for his approach to professionalising Iraqi art education in the early to mid 20th-century. He was a prolific painter, an important artist in the Pioneer generation, a key figure in the development of modernism in Iraq and a key figure in the development of early Iraqi art education.


Life and career

Hafidh Al Droubi (also known as Hafez al-Droubi) was born Bab al-Sheikh in Baghdad in 1914. As a young student at the Bab Al-Sheikh Primary School, he was introduced to painting and drawing and learned the techniques of European academic art in terms of proportions, anatomy and perspective. His conservative family disapproved of his passion for painting which they considered the ‘work of the devil’. In the 1920s, his uncle regularly threatened to cut him off if he persisted with art. However, his allowance continued and he used the money to purchase art supplies. - In 1936, he received a scholarship to study in Rome, graduating from the Accademia Reale. Due to the outbreak of war, his studies were interrupted and he returned to Baghdad for a brief period, during which time he opened a free atelier in Baghdad, dedicated to giving aspiring artists access to studio space and resources for their practice. He served as the dean of the Academy of Fine Arts in Baghdad. After the war, he returned to his art studies, enrolling at
Goldsmiths College Goldsmiths, University of London, officially the Goldsmiths' College, is a constituent research university of the University of London in England. It was originally founded in 1891 as The Goldsmiths' Technical and Recreative Institute by the Wo ...
, London, and graduating with a Bachelor of Arts degree in 1950. On his permanent return to Baghdad, he became very active in the formation and development of Iraq's arts community. He was an early member of the Pioneers art group: Iraq's first formal arts society. He co-founded the first Iraqi Fine Art Society (also known as the Friends of Art) in 1941 which not only aimed to encourage social interaction between artists, but also to develop the artistic taste of the general public. This group also organised annual art exhibitions to promote the work of local artists. In 1953, he formed the Impressionists art collective, which consisted of his friends and some of his students including
Dia Azzawi Dia Al-Azzawi (Arabic: ضياء العزاوي) is an Iraqi painter and sculptor, now living and working in London, and one of the pioneers of modern Arab art. He is noted for incorporating Arabic script into his paintings. Active in the arts comm ...
. In spite of its name, the group did not dictate that members follow impressionism exclusively, rather it encouraged artists to experiment with a variety of different styles. He was among the first group of teachers at the Baghdad College of Fine Arts, and went on to become Dean of the Iraqi Fine Arts Academy. As an art educator, Al Droubi was not committed to any particular style or genre. Instead, he encouraged his students to experiment with a variety of different styles. Although he was a prolific painter, he is mainly remembered for his contribution to art education; professionalising the art industry and developing a coherent pedagogy for the teaching of art in the early to mid-20th century.


Work

He was a highly experimental painter, at different times in his career he followed Impressionism, Cubism, Surrealism and Futurism, but is arguably best known for using the Cubist works used to depict local themes. While his techniques were primarily based on Western art movements, he never really abandoned Iraqi society and art traditions. He sought to adapt Western art for a uniquely Iraqi audience, culture and experience. He used Iraqi themes for his subject matter, preferring to paint scenes of everyday life. During the latter years of Hashemite rule in Iraq, he took advantage of Iraq’s social, political and economic ties with Britain to help forge a tapestry of cultural borrowing and adaptation, whilst preserving facets of Iraqi tradition and themes. Specifically, he painted scenes of Baghdad, its streets, its markets and its people; to the extent that he became known as the "City Painter". Select list of major works * ''Life in Babylon,'' mural, formerly located in the Babylonian Rooms of the Old Museum * ''Life in Hattra,'' formerly located in the Babylonian Rooms of the Old Museum


Awards and recognition

At the Alwasiti Festival in 1972, al Droubi was one of the four artists honored by the state.Siba Aldabbagh, "From Yahya Alwasiti to Hafidh Aldroubi to Rafa Alnasira: Building Bridges," ''Contemporary Practice Art Journal,'' Vol. XI, pp 74-77
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See also

*
Iraqi art Iraqi art is one of the richest art heritages in world and refers to all works of visual art originating from the geographical region of what is present day Iraq since ancient Mesopotamian periods. For centuries, the capital, Baghdad was the Med ...
*
List of Iraqi artists The following is a list of important artists, including visual arts, poets and musicians, who were born in Iraq, active in Iraq or whose body of work is primarily concerned with Iraqi themes or subject matter. Note: This article uses Arabic nami ...


References


External link


Modern Art Iraq Archive
Electronic resource maintained by Iraqi artists and includes reproductions of artworks, many of which were looted from the Museum of Modern Art in 2003 and remain missing. These works are not accessible in any other reliable public source. {{DEFAULTSORT:Droubi, Hafidh al 1914 births 1991 deaths Artists from Baghdad Iraqi painters